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Drawn Lands, Graphic Lands was an exhibition by Tom Madge at 36 Lime Street. The exhibition presented a new series of collages taking a graphic approach to landscape, exploring combinations, arrangements, edges and transitions. The exhibition was supported by a specially created publication. The exhibition featured as part of the International Print Biennale and ran from 19-27 July 2014.

Print in Practice

27 June – 08 August 2014

Print in Practice was an exhibition and reading room developed in collaboration with NewBridge Books. The exhibition featured specially created new printed artworks by Adam Phillips and Deborah Bower and sculptural display cases created by Tony Wiles and Joe Woodhouse. On Sunday 20 July Anette Knol and Amelia Bande of Publishing Puppies (Berlin) presented a talk with artist Deborah Bower.

Foundation Press and NewBridge Books present a collaborative programme, for the International Print Biennale, that responds to the discourse around print as part of wider artistic practice. Print In Practice presents new projects being created with Foundation Press by artists Kate Liston, Alexandra Hughes, Deborah Bower, Chris Wilson, Nikki Brewster, alongside a curated selection of printed matter from independent printing presses including Hato Press and Café Royal Books.

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David1 David2 David3 David4David5David6This publication was produced to accompany Instruction for Unwelcome Tables, an event by David Steans. The event was presented by CIRCA Projects at Table 43 The Union Rooms Wetherspoon, Newcastle upon Tyne July 27th 2014. It was printed by Foundation Press in an edition of 43.

David Steans is an artist and writer based in Leeds. Recent exhibitions include The Panj Piare ASSEMBLE, Grand Union, Birmingham (2014); Day Release, The Northern Charter, Newcastle (2014) and CONTEMPORARY FIGURATION, Udstillingsstedet Q, Copenhagen (2013). Most recently his writing was featured in Cadavere Quotidiano, an ‘anthology of writers and artists preoccupied with the lumbering nature of the object and its relation to the written word’ edited by Paul Becker, Alex Cecchetti and Francesco Pedraglio.

 

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Wilson2Wilson3 Wilson4Wilson1Chris Wilson. Nabwood. 20pp Comic Book. Printed in 3 colours.

Chris Wilson has progressed from the Foundation at Sunderland, through a degree to a career as an illustrator. As part of a recent residency, Wilson has developed a new publication, Nabwood. Nabwood is a comic-book that evidences a dreamlike narrative alongside a use of symmetry and geometrical processes. The disarming lightness of touch within his works often usher in undercurrents or unexpected themes.

nutsandseedsillustration.weebly.com

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Kate1 Kate2 Kate4 Kate5 Kate6 Kate7 Kate8

Kate Liston’s publication No Gap Left for the Devil to Get In (along with two limited edition prints) draws parallels between the Shaker and Straight Edge cultures, both of whom are largely teetotal, vegan and celibate. Her ongoing series of artworks hijacks each culture’s founding narratives, using quotation, citation and plagiarism to show the constructedness and reconstructability of any such myth of origin; ultimately pointing to the shakiness of claims for original foundations.

36pp. A5 Publication. Available to buy from NewBridge Books and the artist.

kateliston.com